Using compression in small increments will prevent pumping. Knowing the tools, their sound, and limits will speed up the process at this stage.Ĭompressor equations that are based on solid-state analog compressors will tend to have a bit more aggressive sound where tube emulations will have a little “smoother” sound and tend to round transients off. Waveburner ddp software#Software compressors have their own functionality in regards to how they handle the sound. Taking into account the amount of compression that has been added during the tracking and mixing phases will help determine the feeling that is sought after with regards to compression. Mastering compression is a chance to improve the overall dynamics of the record. This aids in smooth the operation of the plug-ins, since they are notorious CPU hogs. Some plug-ins come equipped with a “Look ahead” function, which will scan forward, looking at the audio file as it moves through the plug-in. This should be used if the desired outcome is a “cleaner sound” with minimal coloration at the filter points. Linear phase EQs are made to create minimal phase shift, while engaging multiple filters at the points that they overlap. A lot of EQs will model their designs on analog gear, which means they will have a “warm tone” and that they are more musical. There are an overwhelming number of choices out there and wading through all of them can be challenging. Most EQ’ing will happen on a broad level, but if parametric EQ is being employed, small steps will assure that the mix doesn’t slip over the edge and end up as an over EQ’d project. Now that the files are imported into the DAW and the song sequence has been chosen, it’s time to get started. The best route to avoid any confusion is communication to and from all levels of the project team. A wrong song choice can halt the momentum of the entire album, and kill all that time spent on mixing. Arranging the disc to maintain a level of interest from the listeners should be the Golden Rule. As you get your head around this overlooked practice, patience will pay off. Listening to the chosen album as a whole will provide the best overview of the “master.” At this stage it’s not about the individual instruments, fx or tones but more about sequencing – how the songs work together to create a cohesive whole. When starting the first master, a good rule of thumb is to have a commercial disc or equivalent of your envisioned project ready to A/B. This track will serve as the “master” of the masters and be the example that will be chased for the rest of the mastering process. Your files are imported into the DAW and then it’s time to start thinking about “the album” as a whole, most importantly the song that stands out as the best production – the project model. Waveburner ddp pro#The final processing will be possible in many software programs, for example those from SADiE, WaveBurner, BIAS Peak, Pro Tools, IK Mutimedia, and others. It’s time to launch a new session in the same format that the mix files are in, for example 24-bit 44.1Khz.
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